Upcoming Performances
© Studio J’adore ce que vous faites / OnP
Concert Saint-Saëns
Opéra de Paris | Amphithéâtre
26 November | 20:00
Camille Saint-Saëns is one of the most widely-heard composers of his time. His work was performed all over Europe. The artists of the Academy will perform some of the most famous pieces of the composer but also some unknown works from his chamber music repertoire.
Opéra de Paris | Amphithéâtre
26 November | 20:00
Camille Saint-Saëns is one of the most widely-heard composers of his time. His work was performed all over Europe. The artists of the Academy will perform some of the most famous pieces of the composer but also some unknown works from his chamber music repertoire.
DE L’OPÉRETTE À BROADWAY, UN AIR DE FÊTE
Opéra de Paris | Amphithéâtre
17 December | 20:00
From operetta to musical, the artists of the Academy will perform a program of light and happy music.
Opéra de Paris | Amphithéâtre
17 December | 20:00
From operetta to musical, the artists of the Academy will perform a program of light and happy music.
German Romantic Concert
Opéra de Paris | Amphithéâtre
11 February | 20:00
From Carl Loewe to Hugo Wolf, the artists of the Academy invite you to explore the romantic German ballad with its historical and mythical heroes.
Opéra de Paris | Amphithéâtre
11 February | 20:00
From Carl Loewe to Hugo Wolf, the artists of the Academy invite you to explore the romantic German ballad with its historical and mythical heroes.
Recent Performances
Beethoven Concert
Opéra de Paris | Amphithéâtre
8 October | 20:00
A concert of Beethoven's Lieder and chamber music
Opéra de Paris | Amphithéâtre
8 October | 20:00
A concert of Beethoven's Lieder and chamber music
Soir de Fête à l'Opéra
Opéra de Paris | Palais Garnier
1 October | 20:00
Meet the artists of the Académie on the stage of the Palais Garnier for a festive concert with excerpts of L’Elisir d’Amore by Donizetti, The Merry Widow by Franz Lehár and Die Fledermaus by Johann Strauss.
Opéra de Paris | Palais Garnier
1 October | 20:00
Meet the artists of the Académie on the stage of the Palais Garnier for a festive concert with excerpts of L’Elisir d’Amore by Donizetti, The Merry Widow by Franz Lehár and Die Fledermaus by Johann Strauss.
Académie Presentation Concert
Opéra de Paris | Amphithéâtre
16 September | 20:00
Opéra de Paris | Amphithéâtre
16 September | 20:00
Reviews:
Olyrix.com, 18.09.20
"Toute la scène de la mort de Don Giovanni met pleinement en valeur le baryton, Alexander York. Physique de séducteur, sourire carnassier, il maîtrise sans conteste la partie vocale du personnage." [The entire scene of Don Giovanni's death highlighted the baritone, Alexander York. With the physicality of a seducer and a carnivorous smile, he mastered without question the vocal part of the character.]
Première loge, 16.09.20
"Alexander York, Don Giovanni à la crinière léonine, traduit parfaitement la désinvolture et l’entêtement tragique du dissoluto face au châtiment qui l’attend." [Alexander York, lion-maned Don Giovanni, perfectly translates the casualness and tragic stubbornness of dissolution in the face of the punishment awaiting him.]
Alexander York, Le chat / Ramya Roy, La chatte / Jeanne Ireland, L'Enfant
L'Enfant et les Sortilèges
Maurice Ravel
Opéra de Paris | Palais Garnier
21, 23, and 29 January 2020
Conductor: Vello Pähn
Directors: Richard Jones, Antony McDonald
L'Horloge comptoise / Le chat: Alexander York
Maurice Ravel
Opéra de Paris | Palais Garnier
21, 23, and 29 January 2020
Conductor: Vello Pähn
Directors: Richard Jones, Antony McDonald
L'Horloge comptoise / Le chat: Alexander York
Don Carlo
Giuseppe Verdi
Opéra de Paris | Bastille
Premiere: 25 October 2019
Conductor: Fabio Luisi
Director: Krzysztof Warlikowski
Deputato Fiammingo: Alexander York
Giuseppe Verdi
Opéra de Paris | Bastille
Premiere: 25 October 2019
Conductor: Fabio Luisi
Director: Krzysztof Warlikowski
Deputato Fiammingo: Alexander York
Académie Concert of Mahler, Strauss, and Britten
Amphithéâtre |Opéra de Paris
5 November 2019 | 20:00
Selections from Mahler Des Knaben Wunderhorn Lieder
Amphithéâtre |Opéra de Paris
5 November 2019 | 20:00
Selections from Mahler Des Knaben Wunderhorn Lieder
Review:
Olyrix.com, 06.11.19
"Deux airs du cycle [Des Knaben Wunderhorn] sont interprétés avec une vive intelligence du texte par le baryton Alexander York qui tient son legato jusqu'au bout des phrases les plus longues et ne peut qu'émouvoir par son timbre grave et chaleureux." [Two songs of the cycle (Des Knaben Wunderhorn) were interpreted with a vibrant textual intelligence by the baritone Alexander York, who maintained his legato all the way to the end of the longest phrases and who could not help but be moving with his deep, warm timbre.]
© Studio j'adore ce que vous faites ! - OnP
Concert de présentation Académie
Opéra de Paris | Amphithéâtre
21.09.2019 | 20:00
Opéra de Paris | Amphithéâtre
21.09.2019 | 20:00
Mahler 14 Lieder und Gesänge aus der Jugendzeit
Synagogentournee
Jewish Chamber Orchestra Munich
8th, 14th July 2019
Conductor: Daniel Grossmann
Baritone: Alexander York
Synagogentournee
Jewish Chamber Orchestra Munich
8th, 14th July 2019
Conductor: Daniel Grossmann
Baritone: Alexander York
Review:
Augsburg Allgemeine, 16.07.19
“Und Alexander York hält [die Lieder], mit baritonal glanzgebürsteter, voluminöser Eleganz und Bravour, in vokalem Fluss: Die blütenbehangenen Zweige im Frühlingsmorgen, die Erinnerungen an im Abendrot erglühende Mägdelein, an Feinsliebchen, Schatz Juch-he im grünen Mai, bis letztlich zum Scheiden und Meiden mit Ach und Weh." [And Alexander helps the songs flow with his baritonal, shining, voluminous elegance and bravura - the flower-strewn branches in "Frühlingsmorgen"; the memories of the maiden glowing in the sunset, of the dearly beloved, the 'Juch-he' of the lover in green May; until finally "Scheiden und Meiden" with 'Ach' and 'Weh'.]
© Studio j'adore ce que vous faites ! - OnP
Review:
www.olyrix.fr, 01.07.2019
“C'est toutefois le baryton Alexander York qui se mesure à la pièce de bravoure du programme : les Neue Alexanderlieder de Wolfgang Rihm .... Le chant passe d'une lenteur funèbre (que le chanteur ne rend jamais empesée) à une explosion vocale tonnante (assumée) basculant en voix de tête (guidée) [La] voix est opulente, large en assise et vibrato, emplissant l'acoustique sans noyer les articulations.” [In any case, it is the baritone, Alexander York, who measures up to the hardest piece of music in the program: The Neue Alexanderlieder of Wolfgang Rihm.... The singing travels from a mournful slowness (which the singer never lets become stiff) to a thundering vocal explosion (engaged) rocking into the head voice (well-guided). The voice is opulent, well placed and well-vibrated, filling the space without losing the articulation.”]
© Studio j'adore ce que vous faites ! - OnP
Et la nuit éclairait la nuit...
Amphithéâthre | Opéra national de Paris
24.06.2019 | 20:00
Director: Jeanne Desoubeaux
Roland Barthes: Alexander York
Amphithéâthre | Opéra national de Paris
24.06.2019 | 20:00
Director: Jeanne Desoubeaux
Roland Barthes: Alexander York
Des Knaben Wunderhorn Liederabend
Kunsthalle | Werner-Otto-Saal
Hamburg
06.06.2019 | 19:00
Susan Zarrabi, mezzo
Alexander York, baritone
Deirdre Brenner, piano
Kunsthalle | Werner-Otto-Saal
Hamburg
06.06.2019 | 19:00
Susan Zarrabi, mezzo
Alexander York, baritone
Deirdre Brenner, piano
Die Fledermaus
Johann Strauss
Académie | Opéra national de Paris
Premiere: 13.03.2019
Conductor: Fayçal Karoui
Director: Célie Pauthe
Dr. Falke: Alexander York
Johann Strauss
Académie | Opéra national de Paris
Premiere: 13.03.2019
Conductor: Fayçal Karoui
Director: Célie Pauthe
Dr. Falke: Alexander York
Review:
bachtrack, 15.03.2019
[D]élicieusement manipulateur en docteur Falke, Alexander York se distingue par son souffle équilibré et son phrasé élégant, lançant idéalement le célèbre « Brüderlein » [Deliciously manipulative as Doctor Falke, Alexander York distinguishes himself through his well-balanced breath flow and his elegant phrasing, launching ideally the famous "Brüderlein"]
CONCERT AT THE PALAIS GARNIER
Palais Garnier | Opéra national de Paris
16.01.2019 | 20:00
Orchestre de l'Opéra national de Paris
Conductor: Jean Deroyer
Palais Garnier | Opéra national de Paris
16.01.2019 | 20:00
Orchestre de l'Opéra national de Paris
Conductor: Jean Deroyer
Review:
franceinfo.fr, 30.01.2019
[L]'Américain Alexander York [est] grand et blond. Non, il ne chante pas Don Giovanni mais l'autre amoureux de "Cosi fan tutte", Guglielmo: timbre de qualité, bien projeté, il incarne le rôle avec beaucoup de présence. On s'amuse déjà à l'imaginer lui aussi dans un des grands rôles du répertoire, comme Oneguine... [The American Alexander York is tall and blonde. No, he does not sing Don Giovanni, rather the other lover in "Cosi fan tutte", Guglielmo: quality timbre, well-projected, he incorporates the role with veritable presence. One might imagine him as well in the larger roles of the repertoire, like Onegin...]
BERLIOZ, RAVEL, DEBUSSY CONCERT
Amphithéâtre | Opéra national de Paris
19.12.18 | 20:00
Sarah Shine, soprano
Angélique Boudeville, soprano
Jeanne Ireland, mezzo-soprano
Alexander York, baritone
Timothée Varon, baritone
Orchestre-Atelier Ostinato
Conductor : Jean-Luc Tingaud
Amphithéâtre | Opéra national de Paris
19.12.18 | 20:00
Sarah Shine, soprano
Angélique Boudeville, soprano
Jeanne Ireland, mezzo-soprano
Alexander York, baritone
Timothée Varon, baritone
Orchestre-Atelier Ostinato
Conductor : Jean-Luc Tingaud
Hommage an Rossini
Aula des Wenzinger Gymnasiums
15.12.18 19:30
Alexandra Flood, soprano
Alexander York, baritone
Holst Sinfonietta - Klaus Simon, Director
Deutsch-Italienischer Chor - Katy Nataloni
Aula des Wenzinger Gymnasiums
15.12.18 19:30
Alexandra Flood, soprano
Alexander York, baritone
Holst Sinfonietta - Klaus Simon, Director
Deutsch-Italienischer Chor - Katy Nataloni
Shakespeare, fragments nocturnes
Amphithéâtre Bastille
Premiere: 09.10.2018 20:00
Performances: 11.10, 12.10, 13.10, 16.10, 17.10
Amphithéâtre Bastille
Premiere: 09.10.2018 20:00
Performances: 11.10, 12.10, 13.10, 16.10, 17.10
Review:
Olyrix.com, 11.10.2018
Enfin, Alexander York trouve des couleurs ténébreuses dans une voix profonde et bien développée. Sa projection puissante donne envie de l’entendre sur la scène de Garnier, où l’Académie jouera une production l’an prochain. [Finally, Alexander York found moody colors through his deep and well-developed voice. His powerful projection makes you want to hear him on the stage of Garnier, where the Académie will perform a production next year.]
Abschlusskonzert
Großer Saal | Hochschule für Musik und Theater München
10.07.18, 20:30
Featuring works by Schubert, Brahms, Pfitzner, Cornelius, Spring, Lang, and more.
Featuring Miku Hisamatsu and Hiroko Utsumi
Großer Saal | Hochschule für Musik und Theater München
10.07.18, 20:30
Featuring works by Schubert, Brahms, Pfitzner, Cornelius, Spring, Lang, and more.
Featuring Miku Hisamatsu and Hiroko Utsumi
Solaris
Dai Fujikura
Theater Augsburg | martini-Park
Premiere: 18.5.18 19:30
Performances: 26.5, 31.5, 6.6, 8.6, 10.6, 16.6
Conductor: Lancelot Fuhry
Director: Dirk Schmeding
Hari: Jihyun Cecilia Lee
Kris Kelvin: Wiard Witholt
Kelvin (off stage): Alexander York
Snaut: Roman Poboinyi
Gibarian: Stanislav Sergeev
Orchester Augsburger Philharmoniker
Dai Fujikura
Theater Augsburg | martini-Park
Premiere: 18.5.18 19:30
Performances: 26.5, 31.5, 6.6, 8.6, 10.6, 16.6
Conductor: Lancelot Fuhry
Director: Dirk Schmeding
Hari: Jihyun Cecilia Lee
Kris Kelvin: Wiard Witholt
Kelvin (off stage): Alexander York
Snaut: Roman Poboinyi
Gibarian: Stanislav Sergeev
Orchester Augsburger Philharmoniker
Der zerbrochene Krug
Viktor Ullmann
Bavarian State Opera | Cuvilliés Theater
Premiere: 13.04.18 19:00
Performances: 15.04, 25.04, 27.04, 29.04
Director: Andreas Weirich
Conductor: Karsten Januschke
Walter: Oleg Davydov
Adam: Milan Siljanov
Licht: Long Long
Marthe: Alyona Abramowa
Eve: Anna El-Khashem
Veit: Boris Prýgl
Ruprecht: Galeano Salas
Bedienter: Alexander York
Erste Magd: Paula Iancic
Zweite Magd: Niamh O’Sullivan
Brigitte: Ulrike Arnold
Viktor Ullmann
Bavarian State Opera | Cuvilliés Theater
Premiere: 13.04.18 19:00
Performances: 15.04, 25.04, 27.04, 29.04
Director: Andreas Weirich
Conductor: Karsten Januschke
Walter: Oleg Davydov
Adam: Milan Siljanov
Licht: Long Long
Marthe: Alyona Abramowa
Eve: Anna El-Khashem
Veit: Boris Prýgl
Ruprecht: Galeano Salas
Bedienter: Alexander York
Erste Magd: Paula Iancic
Zweite Magd: Niamh O’Sullivan
Brigitte: Ulrike Arnold
Das Weihnachts-Oratorium
Johann Sebastian Bach
23.12.17 19:00
Peterskirche, Heidelberg
Heidelberg Bach Choir
Heidelberg Philharmonic
Christian Kabitz, conductor
Johann Sebastian Bach
23.12.17 19:00
Peterskirche, Heidelberg
Heidelberg Bach Choir
Heidelberg Philharmonic
Christian Kabitz, conductor
Review:
Rhein-Neckar Zeitung, 28.12.2017
Sehr lyrisch, mit schlankem, biegsamem Bariton, klangschön strömend, erfüllte Alexander York die Bassarien. [Alexander York imbued the bass arias very lyrically, with a trim, limber, and beautifully-flowing baritone.]
|
PERSPECTIVES - A Duet Concert Alexandra Flood, soprano Alexander York, baritone Rudi Spring, piano SUN, 8.10.17 16:00 Kleiner Saal der Hochschule für Musik und Theater München |
Abschlusskonzert Exzellenz-Labor 2017
THURS, 31.08.2017 19:30
Historisches Museum Frankfurt
Singers:
Jana Baumeister, Andrea Cueva Molnar, Alexandra Dobos-Rodriguez, Iva Krusic, Aoife Gibney, Camilla Lehmeier, Héloise Mas, Emma Moore, Marie Seidler, Chanhui Tan, Mikhail Timoshenko, Alexander York
Pianists:
Jihye Ha, Zuzanna Pawlaszek, Lukas Rommelspacher
Instructors:
Hedwig Fassbender, Anette Berg, Enza Ferrari, René Massis, Fausto Nardi, Susanne Hubrich
THURS, 31.08.2017 19:30
Historisches Museum Frankfurt
Singers:
Jana Baumeister, Andrea Cueva Molnar, Alexandra Dobos-Rodriguez, Iva Krusic, Aoife Gibney, Camilla Lehmeier, Héloise Mas, Emma Moore, Marie Seidler, Chanhui Tan, Mikhail Timoshenko, Alexander York
Pianists:
Jihye Ha, Zuzanna Pawlaszek, Lukas Rommelspacher
Instructors:
Hedwig Fassbender, Anette Berg, Enza Ferrari, René Massis, Fausto Nardi, Susanne Hubrich
TO THE LIGHTHOUSE
ZESSES SEGLIAS
Libretto by Ernst Marianne Binder after the novel by Virginia Woolf
Bregenz Festival
World premiere 16.8.17
Mrs. Ramsay Christie Finn
Mr. Ramsay Jean-Marc Salzmann
Lily Briscoe Sophia Burgos
James Ramsay Alexander York
James Ramsay (Boy): Matthew Richardson
Augustus Carmichael Adrian Clarke
Charles Tansley Taylan Reinhard
William Bankes Sébastien Soulès
Mrs. McNab Dalia Schaechter
Music director Claire Levacher
Stage director Olivier Tambosi
Set designer Jakob Kolding
Costume designer Vibeke Andersen
Lighting designer Stefan Pfeistlinger
Dramaturg Olaf A. Schmitt
Vorarlberg Symphony Orchestra
ZESSES SEGLIAS
Libretto by Ernst Marianne Binder after the novel by Virginia Woolf
Bregenz Festival
World premiere 16.8.17
Mrs. Ramsay Christie Finn
Mr. Ramsay Jean-Marc Salzmann
Lily Briscoe Sophia Burgos
James Ramsay Alexander York
James Ramsay (Boy): Matthew Richardson
Augustus Carmichael Adrian Clarke
Charles Tansley Taylan Reinhard
William Bankes Sébastien Soulès
Mrs. McNab Dalia Schaechter
Music director Claire Levacher
Stage director Olivier Tambosi
Set designer Jakob Kolding
Costume designer Vibeke Andersen
Lighting designer Stefan Pfeistlinger
Dramaturg Olaf A. Schmitt
Vorarlberg Symphony Orchestra
Review:
Frankfurter Allgemeine Zeitung
"Gesanglich und artikulatorisch überzeugte vor allem . . . Alexander York als erwachsener James Ramsay" [In particular, Alexander York was convincing with his singing and articulation as the grown-up James Ramsay]
SIMPLICIUS SIMPLICISSIMUS
KARL AMADEUS HARTMANN
Brecht Bühne at Theater Augsburg
Premiere: 2.6.17
Simplicius: Samantha Gaul
Gouverneur: Ji-Woon Kim
Bauer: Georg Festl
Landsknecht: Young Kwon
Einsiedler: Mathias Schulz
Hauptmann: Alexander York
Stage director: Lorenzo Fioroni
Music director: Domonkos Héja
KARL AMADEUS HARTMANN
Brecht Bühne at Theater Augsburg
Premiere: 2.6.17
Simplicius: Samantha Gaul
Gouverneur: Ji-Woon Kim
Bauer: Georg Festl
Landsknecht: Young Kwon
Einsiedler: Mathias Schulz
Hauptmann: Alexander York
Stage director: Lorenzo Fioroni
Music director: Domonkos Héja
Review:
Süddeutsche Zeitung
"Also tritt hier der großgewachsene, muskulöse Alexander York, der den Hauptmann singt, als Dragqueen auf. Er macht dies furios und mit großer Selbstbewusstheit, obwohl erst 'Eleve im Ensemble'" [Then the large-grown, muscular Alexander York, who played the Captain, made his entrance as a drag queen. He does this with fury and great confidence, even though only a "Student in the ensemble."]